.... calling all travel writers!This is a new website which will feature work by mostly unpublished travel writers. The primary functions of this innovative new project will be to overcome the difficulties faced by unpublished writers in obtaining placement of their work and satisfy the desire of the general public to read good quality travel writing. We are inviting submissions now for potential inclusion on the site. Work can be of any length, but must be of a high standard - polished, professional and well-edited. For further information, contact Andrew Green on or send submissions (in Lotus WordPro, MS Word, plain text or pdf format) to: backgroundOf all the arts, writing is one of the most difficult to embark on and market to the public. An individual piece of fine art can be created and sold, as can any craft item. Music can be created on, or uploaded to, a computer and burnt to a single CD, which can be put on sale. In contrast, a written article can only be read by the 'end user' if it is first accepted by a publication. A complete book can only be read if the whole body of work (the complete volume) is finished - which can take a number of years - and the book is produced, which is uneconomic for an individual, even in a short run, let alone a single copy. In reality, the economics of printing means that the work must be accepted by a publisher before even a single copy can be read by anybody. So the unpublished writer is subject to the economic pressures, prejudices and opinions of publishers and has to negotiate his way through these before even one eventual consumer of his work has a chance to read his or her book, let alone form an opinion on it. The publishing market becomes tighter year by year and the possibility of an unknown writer placing their work with either a publishing house or agent becomes proportionately slim. If you already have a name in another field, it is comparatively easy. If you have been published before, you will probably avoid the slush pile. And only slight comfort can be gained from the well-known tales of just how many publishers Joanne Rowling - or many a successful author - had to approach before somebody decided to take a chance on them. But the inexorable tightening of the market is making even that handful of success stories fade into a mythical pre-conglomerate publishing past.
a solution?
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